Bundles collect together profiles into easy-to-load complete 'snapshots' of the system, and provision is made for manual patchbays, although this is not recommended. On the Mac, X-Or can use the MOTU MIDI Time Piece and other multi-port interfaces. The model details are limited to the ST's MIDI interface, although this is bound to change as multi-port MIDI interfaces become more popular. The editor and librarian sections have exactly the same features as any fully-featured program. T's MIDI environment, and it performs all the librarian/editor/patchbay control/model functions (by 'model' I mean the ability to deal with a software model of the connected MIDI hardware). More specifically X-Or is a combination of a generic librarian and editor, with the ability, via the E-Or editor, to create your own profiles, although it comes with profiles for a wide range of instruments (see panel). Instead, X-Or is a system integrator, a tool for turning your MIDI equipment into a single music creation device. T's X-Or (which, for the record, I was running on an ST) and Opcode's Galaxy and OMS.Īs I pointed out when I first looked at X-Or in the November 1989 issue of Sound On Sound, X-Or is not just another generic editor (in fact, the editing functions are arguably a minor feature). This month I'm going to take a deeper look at Dr. Last month I started off by talking about MIDI environments - software tools for simplifying your interface with a complex MIDI setup.
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